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February – A Celebration of Artistry

Welcome back, readers! In this first installment of the History series, we’re shining a spotlight on the fundamental core of the Stone brand – the many ways that hobby artists have partnered and collaborated on Stone models over the years. Artistry and innovation brought the company from its earliest days to where we are today.

From day 1, Stone embraced the network of talented hobby sculptors in our community! Around the same time as Stone’s founding, artist resin sculptures were growing in popularity, and NAMHSA’s NAN first took place the year prior (1995). The 1990’s were a major decade for hobby innovation, with the bars for artistry and realism both steadily rising. Stone was well-positioned to make a splash in the community with the capacity to follow these trends from their beginnings. Stone has featured the sculpt work of at least a dozen artists over the years, with some of the most frequent partnerships being with Kitty Cantrell, D’Arry Jone Frank, and most recently, Maggie Jenner-Bennett.

Collaboration on finish work has also been a top priority for the brand throughout Stone history. D’Arry worked closely with Stone starting in the earliest years to develop color techniques. Other well-respected hobby artists, including Laurie Jo Jensen, Karen Gearhardt, Ed Gonzales, Sarah Minkiewicz-Breunig, and Thomas Bainbridge also provided early support for painting development.

Despite the brand’s early interest in commercial distribution of products, especially for the first 10-15 years, there were always editions and programs focused on serving the collector market directly. With the collaborations with their early guest artists, Stone quickly gained notoriety within the hobby as a source of high-quality model horses. As a result, numerous series were introduced to serve collectors, including partnerships with live events, the Show Line, and retailer-specific special runs. Two of the most iconic early direct-to-customer programs that celebrated artists were the Artisan Hall and Signature Series.

In 1997, the Artisan Hall program was introduced. AH featured entire runs (typically around 200 in total run count) painted by the featured artist themselves. Some of these runs included variations in finish, color, customization, or a combination, and always stated these amounts within the overall edition. The program continued through 2010.

A shorter-lived program, the Signature Series offered editions from 2001-2006. This series featured paint work designed by guest artists, but the actual paint work minus prototypes was done by Stone employees. Each model featured a sticker of the designing artist’s signature on the belly. While editions of 500 were common for this series, some of these were split in half with two variations (usually finish or customization) and other editions were smaller & no variation (some as low in count as 100).

The Signature Series, originally advertised under the “Stone Horses Direct” label in EQUILITH, Winter 2000.

The guest artist trend continued into the 2010’s and beyond. Dozens of notable artists including mainstays Sheryl Leisure and Caroline Boydston have created small groups of models over short work sessions for Stone that are released as part of certain promotions, or sold via Best Offers or Auctions. With Volo Artem from 2024 and forward, the Guest Artist program has expanded considerably, offering the chance to create Original Finish Art to even more talented artists. Kylee Parks, Kristen Cermele, Tiffany Purdy, Amanda Brock, Heather Bullach, Vincent Lange, Carly Kudalis, Mindy Berg, Erika Isbell, Tegan Davis, Stephanie Blaylock, Kirsten Wellman, Missy Shaw, and more have all created works of art through our Stone Horses processes, and all were able to retain their personal artistic style even through materials that are totally different than mediums they use at home.  Guest artists travel to Stone throughout the year for short stays (usually around a week at a time) to create batches of pieces. Guest artists provide a variety of artistic perspectives to customers and help to support & inspire the full-time artists as everyone learns from each other.

One of the most unique aspects of the Stone brand is how they welcome the average community member to participate in the artistic process! This began with programs like the My Horse Series, You Call It and You Color It, which paved the way for the Design A Horse and more recently, Design A Horse Platinum programs. In the past, Stone has offered Paint Your Own Test (PYO) and Horse Camp workshop opportunities during County Fair.

Copy of the 2004 Horse Camp flyer & order form!

As we reflect on 30 years of the Stone brand, let us first and foremost say a heartfelt THANK YOU to every artist, every creative mind behind our beloved models! Without this focus on collaboration and celebration of the artistic spirit, we would not be where we are today.

1 comments

Diane Kudalis

I can’t wait to see what else Amanda shares with us all!!!

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A Tribute to Appt to Appeal
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A Tribute to Appt to Appeal
Welcome back, blog readers! For May, the Stone Team is adding Appt to Appeal to the list of distinguished Tribute honorees. They are so excited to bring you their interpretations of this Appaloosa – Appaloosas are a particular favorite at Stone!   Appt to Appeal is a portrait of a real Appaloosa stallion who was owned at the time by David & Stephanie Weir of Our Pleasure Appaloosas in Moisinee, WI. He was a shaded dark bay semi-leopard with a stripe and white lightning marks on all 4 legs. Appt to Appeal sired 7 foals – 6 Appaloosas and 1 Pony of the Americas. A notable colt of his is App Solute Appeal, 1999 Reserve National Champion Weanling Non-Pro Colt.   Appt to Appeal flyer/advertisement, retrievable to view more clearly at the link provided below.  He is a 1994 foal born to sire Goer and dam Plaudy’s Princess. Hobbyists may recognize a few horses in his pedigree, most notably Prince Plaudit and Go Man Go, who have also been memorialized as models over the years by companies, individuals, or both.   Introduced in Stone plastic in 1998 as a Regular Run, Appt to Appeal was one of the earliest editions of the Performance Horse mold. Sculpted by D’Arry Jone Frank, the mold included both roached and loose mane versions from its introduction. Appt to Appeal features the loose mane. He debuted in 1998 and was also included in the 1999 catalog. His Appaloosa features, though less detailed by today’s standards, represented innovation for his time. Appaloosa colors were sparsely offered in the earliest years of Stone and the appaloosa patterns were most commonly created entirely using airbrushes with older clamp masks like the one seen in Manchester’s article from March.   Appt, along with a few others in the 1998 cohort marked the introduction of freehand airbrushing for appaloosa blankets plus hand painted spots. This technique was dominantly used for a couple of years before masking advancements were introduced, and the freehand-airbrushed appaloosa blankets were more often used in tandem with other techniques within the artistic toolkit from that point on.   Check out the modern interpretations of Appt to Appeal on the New Releases page beginning Friday, May 15th 2 PM Eastern. All 2026 Tribute models will be available until they sell out!    I look forward to seeing some of you next week at Country Fair! Safe travels to everyone joining the party!    Reference  – https://www.allbreedpedigree.com/appt+to+appeal (hover over image icon above the pedigree table to see the flyer above) 
A Tribute to Dirty Sally
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A Tribute to Dirty Sally
Hello again everyone! This month, the Stone team is honoring an iconic Artisan Hall release, Dirty Sally! She is a soft “taffy dun” on the Palouse mold with plenty of shading, dapples, and subtle dun barring on her legs & back. Like many of the Artisan Hall editions, she was offered in more than one customization. The options for her edition included Factory Custom and Extreme Makeover versions. Both versions were orderable in matte or glossy finish. A total of 170 FCM and 30 EFCM were made, as well as a single prototype in glossy. The prototype has slightly different customization than the FCM and is not signed. Customization on the Factory Custom version includes a swap to the TWH’s tail, a turned head, and twitched ear. The Extreme Makeover sports a customized Long Tail from the ISH and pairs a braided mane & forelock with pinned ears. The Stone team chose to include Dirty Sally in the Tribute Series because of her iconic grumpy expression in her Extreme Makeover form – they love their grumpy ponies! Some models in the run came with a COA, but not all. A postcard-size entry form was sent to Artisan Hall members to order her. The Artisan Hall program, for those who are not familiar, featured prominent hobby artists designing and hand-painting the entirety of each run during visits to the factory. Dirty Sally was designed and painted by Ed Gonzales for the 2007 series. Ed is known in the hobby community for his incredibly detailed work, and his designs in OF paint are no exception. Some of his most recognizable colorways include dapples, intricate patterns, or both. The pieces he’s created have a warmth and depth to the color which are visually striking and command attention. Alongside being a model horse artist, Ed is an accomplished breeder, trainer, and handler of champion Arabian horses who profoundly influenced his artistic inspirations. He has been involved in the model horse community since the 1980’s. During his tenure as a Stone guest artist, Ed painted numerous test colors, Artisan Hall series, Signature Series, and other special event editions for Stone, spanning 1998-2007. In 2002 & 2004, he led or co-led the “Horse Camp” ahead of County Fair, a unique week-long event which gave participants more opportunity to hone their artistic skills using Stone models as their canvas. For the inaugural session, Ed was the first instructor, leading the artistic scholars in repositioning using various tools. He also facilitated lessons on applying & sculpting with epoxy and how to sand it smooth. In 2004, he was credited with teaching the painting portion of the lessons in addition to the customizing. He likely taught at least some of the 2003 Horse Camp lessons, but no artists were named in the advertisement for that year. Outside of the Horse Camp years, he was the featured speaker & artist for some seminars on painting during Country Fair events. Dirty Sally’s Tribute Models will debut for sale beginning on Friday April 17th 2026 at 2 PM Eastern! Don’t miss out on these fabulous modern interpretations!
A Tribute to Manchester
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A Tribute to Manchester
Welcome back, Stone fans! Trotting into the Tribute spotlight this month is Manchester! Manchester is a Regular Run Trotting Drafter who was available in 2001 only. He’s a highly shaded intricate bay sabino, described in the catalog as “wild bay”. Unlike many of his early regular run cohorts, he was sold exclusively in gloss finish. His mane and tail decorations are a metallic bright blue. Manchester, shown in the 2001 Retailer catalog His intricate pattern, first used on the Grullo Sabino Clydesdale (Regular Run 1999-2000) was designed by renowned hobby artist Sarah Minkiewicz-Breunig. Sarah’s most well-known work with Stone spans most of their first decade in business, from 1997-2006. She painted many test pieces and appeared frequently in the Artisan Hall program. In 2001, Sarah was honored with the Milestone Award during the EQUILITH Awards. One of the folks who nominated her included the following quote on their form, featured in the EQUILITH Awards Wrap-up, Fall 2001 edition: “Sarah represents the epitome of model horse art. She strives for perfection and her work in both hand painting and sculpting is unmatched.” The Trotting Drafter was sculpted by the sculptor whose name is licensed to another manufacturer, and we’re not allowed to say, and released in 1998. It is one of the earlier molds to feature hair swaps as a standard feature before more complex factory customs were common, along with others including the ISH and Pony. The loose mane and tail version of the Trotting Draft was first seen as a test piece in tobiano pinto painted by Micki Miller and auctioned in KY in 2000. This sculptor is the most prolific sculptor in Stone’s history, credited for 42 molds, including several that at this time have only been released in resin/pewter. This sculptor’s credited molds: The entire Chips line, including the ASB, Jumper, and heavier Draft molds that have only been released in resin and pewter Pebbles Rearing Horse Original Arabian Stallion Updated Arabian Stallion Arabian Mare Standing Arabian Foal Andalusian/Iberian Foundation QH Irish Draught (also released in resin) Palouse Large Scale Pony Santa Fe Morgan (also released in resin) Standing Drafter TWH Thoroughbred Trotting Drafter And most recently, the “Augustus” sport horse, only in resin currently Manchester’s shared pattern was common practice in the early years of Stone. Re-using masks simplified the process during a time when larger editions were common and more efficient methods of mask application hadn’t yet been pioneered. Metal clamp masks held a horse in place while the main body paint was applied, using a “rotisserie” tool to move the model around and paint from all angles. Additional details such as hooves were applied outside of the mask. This method didn’t allow for as much precision as we see today, and masking slip/overspray isn’t uncommon on earlier Stone models - especially those with masks as intricate as Manchester’s. The Stone team chose to include Manchester for Tribute Series to honor these original practices. From the Stone archives, here is a photo of his clamp-style mask! Manchester’s Tribute models are available on the New Releases page beginning on Friday, March 20th at 2 PM Eastern!
A Tribute to Hillock Showson
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A Tribute to Hillock Showson
Hello everyone! Welcome back to the Tribute blog! This month, the Stone team is honoring Hillock Showson, originally portrayed on the Morgan mold in 1997. He was chosen to be adapted by the Stone team because of their affinity for this initial release. Hillock Showson was the First Edition of the mold and is a portrait of a real Champion Morgan. He is a lovely shaded dark bay, as many Morgans are. The First Edition came with a COA and hang tag and was sold in the iconic tan “tack box” via retailers and Stone direct. His color was designed by Stone employee Micki Miller. Micki is credited with this color design as her first work for Stone, per EQUILITH Spring 2001. She is described in her bio from the 2002 Signature Series catalog as being a lifelong horse lover, a naturally gifted artist, and a talented teacher. Micki often shared her painting skills with fellow employees, touted as “[doing] much to help Stone Horses bring the world of the plastic horse to a new level”. Her favorite parts of her work, as of the EQUILITH 2001 article, were interpreting real horses into plastic form and the opportunities to meet and talk with collectors. In her own words, “I love talking to the customers. I like the first-hand feel and hearing about their likes and dislikes.” Micki maintained a small, curated collection of Stone pieces of around 15 at any given time. While she felt that working in the factory was a temptation, she only took home those that would “catch her eye”, also her own words. Hillock Showson was foaled in 1987 to dam Rum Brook Magic Miss and sire Waseeka’s Showtime. In 1992 & 1993, he earned the title of Morgan Stallion In Hand Grand Champion, being among a handful of horses since the championship’s history from 1973 through present day to win the title more than once. At the time of these wins, he was owned by Florida based farm Treble’s Morgan Manor (owned by Chuck & Carol Hudson) and exhibited by renowned Morgan handler Luman Wadhams. After a notable show career, Hillock Showson went on to be a prolific sire, fathering 69 foals. Click Here to pick up your Tribute to Hillock Showson! Melanie Miller has done a fantastic job customizing our Morgan mold with a lifted and turned head, show mane and tail, and adjusted stance! Julie Keim has painted a stunning dappled bay and a dappled teal for you to choose from. These will be available for ordering until March 20th 2026 or they sell out, whichever comes first! References: EQUILITH Spring 2001 edition, page 3 (D’Arry Jone Frank and Micki Miller interviews) Stone Signature Series 2002 Catalog (Micki Miller bio) https://www.saddlehorsereport.com/historical-grand-champion/Morgan-Stallion-In-Hand https://www.morganhorse.com/about-morgan/photo-archive/detail/327/ https://www.allbreedpedigree.com/hillock+showson https://treblesmorganmanor.com/
January – Author Introduction
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January – Author Introduction
Amanda posing with the Stone Horses photo wall at Little Horse Show in 2025. She is holding her “Deputy Judge”, Chicken Elizabeth Nugget and his custom “nametag”. Hello everyone! In celebration of the 30th anniversary, each month I’ll be exploring a part of general Stone Horse history in addition to the Tribute Series. But before we dive into company history, let me start by sharing a little about myself and my journey with Stone over the years. If you don’t know me, my name is Amanda Reed, and I have been passionate about model horses since I received my first “proper” models at age 9! I had plenty of play brand horse toys before then, but upon learning about the world of model horses as collectibles via a collector catalog, I was immediately smitten. I gradually learned more about the hobby over the first few years as my parents and I discovered online model horse retailers who sold not just new, but retired models as well! Along the way, I was led to various hobby publications and entered my first live show in the fall of 2003 as a young teenager. I cannot recall exactly when I first laid eyes on a Stone Horse, but the first one I owned was Van Gogh, the gray appaloosa Arabian from 2001. My parents purchased him from The Ginger Horse during Equine Affaire in 2003. Over the following years, I slowly acquired more Stones along with other brands I collected. As a teen and then college student during my early era of Stone collecting, I was limited in budget, so my collection wasn’t large. My herd was mostly sourced secondhand from other collectors or purchased from vendor booths (including Stone itself) at Equine Affaire and our regional championship live show. I actively added new Stones to my collection into the early 2010’s and gradually tapered off in favor of other priorities. In fall 2023, a collection of a hobby community member who had passed early that year came up for sale (by someone else who would also become a friend!) This person had an extensive collection, including many Stones. I picked out a few from that collection over the course of several trips to the store & local swap meets. It was great timing that this sale reinvigorated my interest in Stones – once Erin & Volo Artem took over, I was all in! A photo of Amanda at a live show in fall 2004, including several of her early Stones – Midas (TB), Van Gogh (Arabian), HH Silver Sultan (Arabian), Woodgrain Pony, and Golden Nugget (ISH). Though my family & I went to KY in 2004 for the first time, I didn’t have enough awareness of Stone to think about crossing the parking lot to attend Equilocity. I do recall the beautiful offerings in the Stone suite at the (then) HIN! I returned next to KY in 2012, but I was only there for NAN so once again I didn’t get over to EQ. In 2017, I brought my mom, cousin, & cousin’s kids with me to KY. With our schedule, it wasn’t possible for me to attend EQ, which was held at the Fairfield at the time. In the current era, I’ve been traveling to KY annually since 2023, and making EQ a part of that experience since 2024. Live shows, model collectibility & history, and bringing newcomers into the show community are my largest focuses within hobby involvement! I’ve judged live shows since 2012 and hosted since 2014. Some career highlights include co-hosting my region’s championship show in 2017, judging at NAN & EQ in 2024, and judging for Stone’s LHS in 2025. My annual Novice & Intermediate level show will have its 10th edition this year. Nothing makes me happier than seeing the folks who start out at my shows go on to have many hobby accomplishments they can be proud of and developing lasting friendships within the community! Though I am not an accomplished artist like the folks at Team Stone, I typically participate in the annual NaMoPaiMo event each February and find time for painting sometimes outside of that. Last year, I skipped it in favor of creating an Art of the Horse entry, whom I love very much and feel proud of everything he taught me. Otherwise, my hobby involvement beyond just collecting also includes photo shows, data nerdery (such as hobby related surveys & predictions), and of course, writing. I’m proficient at Horse Tetris - every time I think I’m running out of room, I make my displays more efficient! I look forward to our journey through time this year – I am honored to be your guide! Each 4th Friday, tune in to the Blog for a new installment in this series. There’s a lot to celebrate and reflect upon!
Welcome to the Stone Horses Blog -  A Tribute to Shynoah!
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Welcome to the Stone Horses Blog - A Tribute to Shynoah!
We are excited to launch a new communication tool for us in 2026 - the Stone Horses Blog! This will be a place for us to primarily celebrate the history of Stone Horses and The Peter Stone Company, though we'll expand to other informational and announcement topics here and there too.  Read on for our very first post about our January 2026 Tribute Honoree - Shynoah! Greetings, Stone fans! Welcome to a Tribute Series Blog! Each month, take a trip down memory lane with us and revisit some beloved Stone Horses of eras past. My name is Amanda Reed, and I’ll be your guide for this adventure! Whether you were there when they released, or you have joined the Stone world more recently, all are happily welcomed here. Shynoah is a light palomino blanket Appaloosa on the Ideal Stock Horse (ISH) mold. He was part of the regular production line in 2000 and features the short mane/long tail combination. His finer details include brown Appaloosa spots in addition to the white blanket, striped hooves, white spots to represent Appaloosa mottling on his muzzle, and a “Circle A” brand on his left shoulder. Like many other early Stones, Shynoah is a portrait of a real horse! His owner, Angel Sheridan, was an employee of Stone at the time. Julie, the most veteran member of the Stone team, did not have much overlap with Angel's tenure, but she describes her as being a good artist and a horse lover. She also recalls going for rides with Angel on a few occasions due to their proximity of housing. Pulling back the curtain – each month I will be including a quote from the Stone Team explaining why they chose that particular model to feature! From Erin: “I chose Shynoah because palomino has always been a color that's hard to do well original finish, he was really innovative and beautiful when he first came out, and our palominos are even more dimensional now so I knew we could do him justice!” Please check out the Tribute Series for Shynoah, available under New Releases if you are reading this before he sells out! The 2026 Stone History page will include Tribute Shynoah’s details for your reference, blog readers of the future. Each Tribute Blog will publish simultaneously with the release of its accompanying model collection (3rd Fridays). But that’s not all we have in store for this year! On each 4th Friday, tune in to the Blog for our History of Stone series, where I will cover broader topics in celebration of the 30th Anniversary. There’s a lot to reminisce on together and I cannot wait to dive in!